Sea. 1, Ep. 17: ...In Translation

Wow. It's hard to believe, but we're nearing the end of the first season. Before we know it, we'll be meeting Desmond, Ana Lucia, Mr. Eko and seeing what's inside that mysterious hatch. But for now, we have to deal with a Jin-centric episode. "...In Translation" fills in some of the missing pieces from the Sun-centric episode we reviewed earlier (House of the Rising Sun).

In the beginning, the survivors on the beach are awkward onlookers as Jin berates Sun for wearing a two-piece bathing suit that reveals a whole lotta skin. He forcefully covers her up and knocks her down to the sand in his efforts, sparking Michael to step in and break up the couple. Michael thinks he's doing the just and noble thing until Sun slaps him 'cross the mouth. Ouch. Sun later apologizes to Michael (in English, of course), but he ain't havin' it. His pride's been hurt.

But Michael's not sweating it too much (well, not 'til later on). We can see that he's made a tremendous amount of progress on the raft. I've always had a little problem with how nice and neat the raft looked, but what can I do? It's just a minor complaint. The raft is big enough to accomodate four, and Jack is disheartened to learn that Sawyer has secured one of the spots.

It looks like the raft will be ready to go in a few short days. But that night people come running from all directions to see the conflagration that was Michael's vessel. Someone has set it ablaze, completely ruining it. Naturally, Michael fingers Jin as the culprit because of what happened between them that morning. An irate Michael demands Sun to tell him where Jin is. She doesn't reveal his whereabouts, but Sawyer finds him in the jungle.

Cut to the beach again the next day. The survivors are ready to lynch Jin because they're certain that he destroyed the raft. Of course, he can't defend himself due to the seemingly indomitable language barrier. I say seemingly because this is the huge turning point where Sun reveals to everyone--Jin included--that she can speak English. She is able to translate for a stunned Jin so that the others can hear his side of the story. Everyone is quite flabbergasted by this revelation ('cept for Michael and Kate) and it threatens to destroy Jin and Sun's relationship. Jin packs up his belongings and moves it to the beach, giving Sun the proverbial cold shoulder.

Things are in disarray. Namely the raft and some of the relationships on the island. In a mildly interesting final scene we learn who the true culprit was. Locke and Walt play some backgammon (black and white again!) and have a friendly chat. Then Locke asks Walt why he torched the raft. Walt's cornered, and he tells Locke that he doesn't want to move anymore. He's done it all of his short life and he's sick of it. You sorta feel for the little dude.

The flashbacks in this episode pair up nicely with those seen in "House of the Rising Sun" because we get to see some of the events that transpired in that episode from Jin's perspective as opposed to Sun's. We see that Jin takes a job working for Sun's father Mr. Paik (a veddy, veddy bad man) and that he's forced to do some unpleasant things to earn his keep. Remember how the Kwons' relationship devolved in "House of the Rising Sun" as Jin was sucked into his job? And recall that he stumbled home one evening with another man's blood on him? Well, we see where that red, red kroovy came from. Mr. Paik makes Jin "deliver a message" to someone with whom he's not pleased. Jin doesn't understand that this is the universal code of mafia types and that it means "kick the living snot out of that fellow."

So Sun's father is indirectly responsible for her tumultuous relationship with Jin. They're in need of counseling. But they don't go together. Jin pays a visit to his father to talk things over. Earlier in the episode, we were under the impression that Jin's father was dead. But Jin only makes it seem that way because he's ashamed of his father's lowly livelihood as a fisherman. And, oh, the irony is so rich. Jin's father offers him some sagely advice: don't work for Mr. Paik anymore! What genius!

Other things of note:

• The blossoming romance between Sayid and Shannon. Blech. I'm thoroughly convinced that this development in the storyline coincided with the writers' decision to kill Shannon off in the second season. If Sayid hadn't entered the picture romantically, there would've been no one on the island who cared a lick about this awful, awful character (remember that Boone will be dead by the time Shannon kicks the bucket).
• Locke serves as the voice of reason in this episode. First, he tells Shannon that she ought not to worry about what Boone thinks because his only goal is to win her attention (he sells out his hatch partner!). Secondly, at the beach he lectures about the real threat on the island. He reminds them that they all know there are others on the island and it's futile to pick fights within in the group when they should unite against the other unknown presence on the island. Right on, John Locke.
• The episode ends on a humorous note when the batteries in Hurley's CD player finally quit on him. You'll remember that his CD collection has provided the music for several of the episode-ending musical montages. Does this mean there'll be no more after this? I can't recall, but I think it might be.

Join me next time for the awesome Hurley-centric "Numbers."

Sea. 1, Ep. 15: Homecoming

"Homecoming" is the episode that features the return of Claire (remember the end of the previous installment?). Only there's a problem: she don't remember nothin' 'bout what done happened to her! But even though "Homecoming" seems like it'd be billed as Claire-centric, most of the emphasis (including the flashbacks) is placed on Charlie, who's still torn up about his sweetheart's abduction and his inability to set things straight (tuck that last nugget of info away for later).

So, here's the gist of what goes down: Ethan confronts Charlie and Jin in the middle of the jungle and demands of Charlie that Claire be returned to him. Sheesh. It appears that Ethan's more obsessive than one of Driveshaft's groupies. He claims that if he doesn't get Claire back by the end of the day, he'll kill one of the 815 survivors. And if the holdout continues, he'll keep offing them one by one on a daily basis 'til they're all dead. The icing on the cake is that he'll kill Charlie at the very end.

Of course, this means that the survivors have to spring into action to save their own. Now it's not the first time we've seen it, but this development in "Homecoming" leads to another instance of the emerging conflict between Jack and Locke. After learning about Ethan's demands from Charlie, the two debate about the best way to ward off Ethan's threat. In the end, Jack bends to Locke's will and follows his approach. They will set up a few sentries around the beach during the night and keep the rest of the people in the dark about what might happen. It appears that all is going to plan until Boone dozes off in the dark. He wakes sometime during daybreak when the alarm (a bag with bottles and cans set off by a trip wire) rattles and clanks, and he jumps into action. He's too late, though, because Ethan has made good on his threat and eliminated one of the survivors (a dude named Scott Jackson). Fortunately for us, it's no one we recognize. [Editor's Note: Although it looks like Boone is to blame, Kate remarks that Locke said Ethan came in from the water, meaning the perimeter setup was pretty much useless. I'll continue to blame Boone, though. He's a young guy. He shouldn't have fallen asleep so easily!]

In light of Ethan's success, the survivors change up their game plan. Jack tells Locke about the Marshal's guns, which will obviously provide them with a tremendous advantage. They scheme to cast Claire out as bait so that they can jump Ethan and apprehend him. Despite Charlie's protestations, they go ahead with the plot. It works perfectly. A number of them surround Ethan, and after a fist fight concludes it looks like they'll be able to bind him up and extract information from him. But then Charlie impetuously shoots their captive. Way to go, sport. Save for Sawyer's shooting of the Marshal, this proves to be the first of many deaths-by-gunfire on Lost. And I doubt that any of us would've pegged Charlie to be the first shooter.

Oh, one last note: that scene with Ethan's capture and death plays out in the pouring rain. It's the leitmotif that remains inexplicable.

Charlie's flashbacks show us that the washed-up rock star was a low-life junkie with a heart of gold. In need of cash to maintain his flow of smack, Charlie preyed on a young woman whose father had a load of dough. The plan was to steal valuables and pawn them for quick cash before disappearing for good, but Mr. Crooked Jaw fell for the lass. He even took a job selling photocopiers for her father so he could impress her. Too bad he'd already stolen from her. Otherwise he could've set things straight! Huh?! See the parallel between the on-island happenings and the flashbacks? Pretty clever writers, eh?

So that's a straightforward assessment of the episode. Doesn't look like Ethan has superhuman strength after all, otherwise those bullets might've bounced off of him. Other than that, I think the largest thing to take away from this episode is the opposing forces of Jack and Locke. They don't clash too badly here, but it's definitely an prelude of things to come as they both vie for positions of leadership.

Thanks for reading!

Sea. 1, Ep. 14: Special

For a number of reasons, I've been eager to review this episode ever since I began the Rewatch a couple of weeks ago. Firstly, I only remember having seen this episode once before. I had spun through each of the first season's installments at least twice, but for some reason I think I only watched this one during my initial introduction to the series. Maybe I passed it over because I had written Walt and Michael off for the most part, but that leads me to another reason why I've been looking forward to documenting "Special." I want to know why the writers created all the hype around Walt and his "special" qualities only to remove him from the show, for all intents and purposes, during the second season. I understand that Malcom David Kelley, who portrays Walt, was on the precipice of puberty and that his real-life growth wasn't going to mesh with the timeline established on the show. I'm sure the writers were cognizant of this, too. So why did they devote a whole episode to emphasizing how unique Walt is if they didn't plan to flesh it out further? Is there going to be some sort of payoff for Walt fans in the cataclysmic sixth season? And will the litany of questions about this show ever cease?

But what of the episode itself, you ask? Okay. Let me get to it.

On the island, Michael searches for Walt. He's furious to find that his son is once again hanging out with the mysterious John Locke. Walt's learning how to throw knives like a circus pro, but Michael ain't havin' it. Locke tries to stick up for the boy, telling Michael that he should treat his son like an adult because the plane crash and the subsequent survival has given him a whole host of life experience. He also stresses that Walt is "different" somehow, the episode's first reference to Walt's vague powers.

Stewing over his confrontation with Locke, Michael declares that he will build a raft and try to sail away from the island. He feels that everyone has become too complacent and that no one's attempting to get back to their regular lives. He baldly tells Walt that he wants to control their destiny. It's another mention of that oft repeated concept.

Troubles continue for Michael, though, as he gets Walt to help him assemble materials for a raft. Walt wanders off under the pretense of procuring water, but Michael later finds him chumming around again with Locke (even though Locke is admonishing the boy to respect his father's wishes and stay away from him). The ensuing fight causes Walt to storm off. Michael needs to search for his son, and Locke assists him. It's a good thing he does, because Walt has run afoul of another one of the island's polar bears, and Michael and Locke need to work together to rescue the lad. Ultimately, they do, and everything is peachy keen and hunky dory after that.

The flashbacks in "Special" shed light on the reasons for the turbulent relationship between Michael and Walt. Just when you think that Michael is somewhat of an obnoxious, overbearing father, you get to see his side of the story and realize that Walt's mother treated him very unfairly. The witch even intercepted all of Michael's correspondence to his son. Walt had been living with his lawyer mother and lawyer step-father in Australia when she suddenly took ill and passed away. With Walt's mother removed from the equation, Walt's step-father wanted nothing to do with the young boy. He laid it all on Michael and essentially said that Walt weirded him out. A livid and reluctant Michael did the noble thing and flew to Sydney to take custody of his biological son. And we all know what happened on their return flight over the Pacific.

Other notes:

• I had forgotten that Michael nearly suffered the same fate as Sayid's beloved Nadia. After learning on the phone half a world away that Susan was with another man, an angered Michael recklessly storms into the street and his hit by an oncoming car. Was this Jacob's will? Or Jacob's adversary's will? If it was Michael's destiny to end up on the island with Walt, then it makes sense that he would survive this accident. We also see in the fourth season that Michael couldn't even kill himself when he drove a speeding car into a wall because Tom tells him that he still has business with the island. This wouldn't be an earth-shattering revelation. I'm just noting the coincidence of two characters being hit by cars in busy streets.


• Walt's powers are further scene in a flashback episode involving his mother and step-father. Droning on about birds he's learning about in school and angered that Susan and Brian are ignoring what he's saying, he shouts at them. In the same moment, a bird crashes into one of the room's windows and plummets to the ground, apparently dead. As the camera switches from the dead bird to Walt's book and zooms in, we see that the bird featured on the open page is the same one that just pulled a kamikaze into the window. So this means that Walt can will creatures toward him if given the proper motivation? We don't know for certain. Again, it appears to be a vague power and one that still has yet to be addressed by the show.

The final scene of the episode neatly presents a segue to the succeeding one as a bewildered Claire stumbles out of the jungle and greets Locke and Boone. Boy, howdy. At this point in the first season, things're gettin' good.

So, as usual, we've recapped an entertaining episode. I still have that bone to pick with the writers and their emphasis of Walt's unique abilities, though. I'm hoping that I've forgotten some of Walt's more specific talents and that further progress into the Rewatch will jerk the rusty chain that's attached to the lightbulb in my head.

Sea. 1, Ep. 13: Hearts and Minds

The first episode on the agenda for the fourth week of the Lost Rewatch is the Boone-centric "Hearts and Minds." If you've forgotten about this particular episode and you're groaning because it centers around Boone, let me remind you that it's a sordid tale of semi-incestuous relations, psychedelic head-trips, and screwy compasses. That's right. This episode nearly has it all!

In the beginning, we revisit Locke and Boone and the hatch that they've discovered somewhere in the jungle. Locke has plans to patiently devise a scheme to break into the hatch, but he wants to test Boone before he takes on the young Padawan as his hatch-cracking apprentice. Locke knocks Boone out cold and ties him up in a complicated fashion. One of Boone's arms is in front of him, and the other is behind. Whenever he leans forward, a tremendous amount of pressure is placed on the shoulder of his rear arm. It looks like torture. Locke applies some strange paste that he concocted earlier to the fresh wound on the back of Boone's head, and then he plants a knife just out of his reach, telling him that he'll be able to cut himself free once he finds the "proper motivation."

That motivation comes in the form of Shannon's screams. He calls to her and learns that she's also been bound to a tree by Locke. He forces himself forward to barely grasp the knife and proceeds to cut himself free. Then he goes after his step-sister, in whom Smokey has apparently taken interest. He frees her and they run off. They evade the Smoke Monster for a while, and Boone spills the beans about the hatch (precisely what Locke didn't want him to do), but their luck eventually runs out and Shannon's snatched and mutilated by Smokey.

Boone seeks vengeance that night, finding Locke and attacking him for what he did. But wait a second! None of it happened! It turns out that Locke is somewhat of a shaman, and that strange paste that he placed on the open wound on Boone's head had some hallucinogenic properties. 'Twas all imagined in Boone's head. But he passed the test, because he tells Locke that he felt relieved when he came across Shannon's shredded corpse. For Locke, this means that he can trust that Boone will no longer desire to gab about the hatch to his step-sister. It appears that the young Padawan is ready to become a full-fledged Jedi.

Of course, I've neglected the flashbacks in my synopsis. They show what the two step-siblings were doing in Australia. Boone was there to rescue his cherished step-sister from an abusive boyfriend, something that he had apparently done on two other occasions. Why did he keep doing it? Boone had been "in love" with Shannon from an early age. And that's where the semi-incestuous part comes into play: they consummate their bizarre relationship by bumping uglies shortly before they get on the doomed flight.

We also hear a small bit about how Boone's mother (Shannon's step-mother) had gipped her out of a nice chunk of change. It's just a little piece of information to tuck away for now, because we'll later learn about the troubles that followed Shannon after her father died in a car accident.

Other notes:

• The first mention of a strange magnetism on the island. Locke gives Sayid a compass (saying he doesn't need it anymore) and Sayid soon finds that the directions are skewed. He shares the information with Jack, saying that only a large magnetic disturbance could cause such an aberration. Looks like the writers knew what would be contained in the hatch before we even got past the door!
• Kate learns of Sun's secret English abilities. While gardening with the Korean, our fugitive notices something in Sun's body language as she listens to Kate talk. Kate calls her on it, and Sun realizes that she can no longer keep it a secret from her. Of course, we still have to wait a little while for Jin to get wind of this.

Even though these early episodes follow a lot of different characters, I just can't shake my funny feelings about Locke. They continue in this episode. How does he know how to make his strange drug? How can he navigate the jungle without needing a compass any longer? The questions linger without any solid answers. I keep beating this dead horse, I know, but I won't be surprised to find out that Locke has never been the John Locke we thought we knew. Or the John Locke with whom we became acquainted through his flashbacks. Something's been odd from the beginning, and they might drop a larger Locke bomb on us next season than the one we saw at the end of the fifth season.

Thanks for reading. Please, comment away! It'd be a tremendous help to know how many people (if there are any) are stopping by to read my Lost thoughts!

Sea. 1, Ep. 11: All the Best Cowboys Have Daddy Issues

We've made it to the fourth week of the Rewatch, yet I'm still finishing up the third week's episodes. I've spent a lot of time in the car during the past week shuttling myself between two family vacation spots, so I've fallen behind in the schedule. But I'm now back in front of my computer for the foreseeable future, and productive I shall be.

At the beginning of the previous post, I marveled at how many different characters there are on the show and how the writers kept centering on a different man or woman in each episode. Well, I spoke too soon, because today's episode is a character's first repeat episode: "All the Best Cowboys Have Daddy Issues" is the second Jack-centric tale. But that's okay, because we always learn a bit more about the Losties through another 40-minute installment. And Jack's deep. And layered. He's a well. He's an onion. Actually, strike that. Jack and his father are both wells and onions. Drs. Well and Onion M.D.s.

Joking aside, this episode has some heavy stuff. Let's get to it.

On the island, everyone's in a mad scramble because Hurley's census revealed that Ethan--who had been living amongst the survivors of Flight 815--was not on the flight's manifest, which means that he had already been on the island. They're also scrambling because Charlie and Claire have gone missing. Oh, and they also remember that someone or something has been trying to harm Claire during the night. They're all in a tizzy over it, 'cept for Sawyer.

Conveniently, Jack and Kate are experienced trackers. Jack and Boone join them as they tenaciously tail the missing Brit and Aussie through the jungle. Jack and Kate are a pair, and Locke takes the young Boone under his wing. The former find Ethan and the moribund Charlie, but no Claire. The latter find something else entirely, and it'll keep 'em busy for many episodes.

Before I tackle what each pair finds, allow me to gloss over the flashbacks. They're quite good, but there's no need to recap them in great depth here. They simply involve Jack and his father Christian, who struggled with an alcohol problem. Christian botched an emergency surgery because he had a few cocktails with his lunch while he was on call and it resulted in the patient's death. He tried to coerce Jack into covering for him, and Jack nearly did 'til he had a crisis of conscience. He wound up telling a review board that his father was a boozer, and it presumably led to Christian's termination as Chief of Surgery. And that's probably why he went on the bender down under that killed him.

There. Now back to the island.

Jack and Kate follow the trail of tape that Charlie left for them. Remember how Charlie wears tape around his fingers? And he writes letters on them? L-A-T-E? Well, he hung them on different branches as a trail. It leads Jack and Kate to a rain-soaked showdown with the all-powerful Ethan, who proceeds to beat the living snot out of Jack, threatening that he'll kill either Charlie or Claire if they don't stop following him. Of course, Jack and Kate don't listen and proceed the chase. They come upon Charlie, blindfolded and hanging from a tree. They take him down and, in a bizarre scene, Jack tries to resuscitate the rock star to no avail. It looks as though Dominic Monaghan's run on Lost is a short one, because the sad music's playing and he's not showing any signs of coming back to life. Then, in a fit of frustration, a sobbing Jack beats on Charlie's chest as Kate has to turn away in disgust. Inexplicably, Charlie gasps back to life after Jack pummels his chest for what seems to be the thirtieth or fortieth time. After a moment of exultation, they get him back to the beach and beseech him to tell them what happened. Charlie can't remember, except that "they" only wanted Claire.

One of the greatest questions surrounding this scene is Ethan's apparently gargantuan strength. I know others have speculated on it, but I have to say that I don't really see any superhuman strength here. I mean, there's the comment about how he can whisk a grown man and a pregnant woman away into the jungle by himself. I suppose that's impressive. But he doesn't appear to have ungodly strength when he fights Jack. He just gets at him and gets at him good, I say. But if Ethan were to have super strength, the best explanation would involve his birth on the island, which we see in the fifth season. That would also explain why he was so enamored of Juliet when he met her in the third season (since she successfully delivered him in 1974), but, once again, I'm getting ahead of myself. Let's just say that Ethan's strong. Maybe not incredibly ultra-strong, but strong.

In the other search party, Mr. John Locke continues to mystify us. This is the episode in which he finds the fabled hatch with Boone, a plot development that will consume the majority of his actions for the remainder of the first season. Before that, though, we would be wise to examine the scene in which he predicts the onset of rain with uncanny accuracy. As he marches along with Boone, he turns and announces that it will rain in "one minute...give or take a few seconds." And, like clockwork, the skies above Locke and Boone open up about 60 seconds later. Seeing as how Locke remains an enigma, even in these early episodes where we think we should know him better, I'm hard pressed not to attribute this prediction to some special resonance with the island. When first viewing this episode, I think I counted this talent among his many survival skills (boar hunting, tracking). But dude's way too good, right? It's just a bit too convenient. We're going to have to remember that ambiguous interaction Locke had with Smokey and not be surprised when we learn in the sixth season that he's never been the John Locke we thought we knew. I'm just saying...

Further proof is shown in one of the final scenes of the episode. As night sets in, Boone thinks they should call it a day and head back home. But Locke ain't havin' it. Here's their brief little exchange:

Boone: Are we lost?

Locke: No, Boone. We're not lost.

Boone: Sorry. It's just...I don't see how you can still be following this trail. I think we should go back, man.

Locke: Don't you feel it?

Boone: Feel what?!

Locke: It!

At this point, Boone throws in the towel, telling Locke that he's headed back. Locke's okay with it, and even turns around to give Boone his flashlight. He tosses it to the younger one, but it falls through his grip and lands with an odd, metallic clunk. Lo and behold, it's the hatch.

So, again we're faced with a question about Locke. What was the "it" he was referring to? Is the finding of the hatch more evidence of his special commune with the island, or was it simply dumb luck? Maybe the electromagnetism contained in the hatch was pulling at the fillings in his teeth? Again, it's hard to say definitively, but I'm gonna lean toward the special commune. Looking back on these episodes, it becomes clearer and clearer that the writers had something special planned for Locke from the very start. All of these incidents can't all possibly be coincidence.

Look, that last line rhymed. That means I should wrap this up and hit the hay. I'll be back at it tomorrow with "Whatever the Case May Be."

Thanks for reading!

Sea. 1, Ep. 5: White Rabbit

Hello, hello.

Welcome to the second week of the Lost Rewatch. If you missed last week or you're slightly behind, then it's time to catch up. And short of watching the actual episodes yourself, my blog is a great place to get caught up. You can find capsules covering the first four episodes below. Don't be afraid to scroll down! But we've also got four more episodes to get through this week, so let's begin!

"White Rabbit" marks the first Jack-centric flashback episode, and along with the preceding "Walkabout," it's probably the best and most intriguing episode of the first season. We're introduced to the mysterious specter that is Dr. Christian Shephard, better known as Jack's father. Little did we know when we initially viewed this episode just how pivotal Jack's father and the strained relationship he had with his son would be in the Lost story.

Now, in getting to the episode I have one minor gripe about the opening scene that I wish to expound upon. Charlie's actions while the woman drowns out at sea will forever be puzzle me. As my wife astutely pointed out, when Charlie summons Jack to the water to help Boone and the woman that Boone is trying to rescue, he tells Jack that he doesn't swim.

Charlie doesn't swim? Really? Not at all?

If this isn't raising any red flags for other fans, then lemme just direct your attention to the third season's finale. CHARLIE SWIMS DOWN TO THE LOOKING GLASS STATION ALL BY HIMSELF SO THAT HE CAN SWITCH OFF THE SIGNAL THAT'S JAMMING THE RADIO FREQUENCIES ON THE ISLAND. Actually, prior to that, in the episode "Greatest Hits," Charlie counts his swimming lesson among his five greatest memories. Normally, I try not to be so critical of mistakes like this, especially when the writers have constructed such an enormous tale with so many different characters, but I felt that it was my duty to highlight this for others. Of course, if you choose not to believe that this was an error on the part of the writers, you could just say that the Charlie in this episode is still a junkie and that junked-up Charlie would never risk his own behind to save another person. I guess you could have it either way.

For Jack, the problems that accompany his role as leader continue to get worse in the episode. He's wracked with guilt when the woman drowns at sea, and he curtly tells Hurley and Charlie that he doesn't know what to do when they alert him to the lack of food and water left for the survivors. What's worse is that the mental and physical fatigue is beginning to take its toll on the good doctor, as Jack appears extremely worn down.

This segues into the first flashback involving Jack and his father. Our first impression of the elder Shephard is that he's a real bastard. The young, impressionable Jack is told that he doesn't have what it takes to make decisions. So much for paternal wisdom.

Back on the island, Jack's buggin' out because he keeps seeing his father, whom we later learn died in Australia. The ghost of Christian keeps walking into the jungle, and, naturally, Jack follows him. As we saw at the end of the previous episode, Christian leads his son to Locke, who was emerging from the jungle with a freshly slain boar. By the end of this episode, we see that the specter of Christian leads Jack to a freshwater source, which is obviously immensely needed given the paucity of bottled water from the 815 wreckage. So, this begs a question: if the specter of Christian Shephard is a manifestation of the Smoke Monster, like so many believe, then why does it lead Jack to food and water? I think we'll have to present the argument for Christian being the Smoke Monster at a later date, since we don't have evidence of it here in "White Rabbit," but let's run with that assumption. Does Smokey want the survivors to thrive on the island--which they eventually do--so that it can use them as pawns in its game? Is Smokey controlled by Jacob's adversary? That might explain it, since the finale of season five leads us to believe that Jacob and his adversary are playing some sort of game in which they exploit human beings to see what they'll do on the island. As always, this episode of Lost is raising more questions than it's answering, but the one burning thing we need to find out is why the specter of Christian is doing what it's doing. One last note: on the flipside, we must also remember that Jack nearly falls down a cliff into a pit of jagged rocks in the pursuit of his father. But it appears that he trips himself, and that no outside force sent him tumbling. But who saves him? JOHN LOCKE. Connection? Anyway, I suppose the nearly fatal fall is an example of Smokey's malicious intents? Kind of a weak argument if you ask me. Seems like whatever is controlling Christian was more directly responsible for the discovery of freshwater.

This episode also contains the conversation between Jack and Locke in which Locke elucidates his "destiny" position a bit further. He acknowledges that Jack's visions of his father may be a hallucination, but he offers a supernatural alternative as well. He tells Jack that he has looked into the eye of the island (WAS IT SMOKEY IN THE LAST EPISODE?) and what he saw was beautiful. Hmmmmm...this little detail appears to be increasingly important in light of what we've seen in the fifth season. How does Locke garner this information? Is it intuition? Did he literally see something revealed to him about the island? Again, I don't have answers, but this seems like it could shape up to be a crucial moment in Lost lore.

This great episode ends with the revelation that Christian suffered a massive heart attack in Sydney, and Jack was taking his body back on Flight 815 to Los Angeles to be buried. Of course, the big twist at the end here is that when Jack stumbles upon the freshwater source, he also finds Christian's coffin, and opens it up to discover that the body is gone. Truly a great OHMIGOSH moment. After seeing what happened with Locke's body this past season, I've been curious to know if we'll ever see Christian's death via flashback. This is just an odd thought I've had, but since Christian has turned out to have such a central role in some of the island's mysteries, wouldn't it make sense if we saw that before his death he was confronted by someone or something telling him of the work he was to do once he died? Again, this is just a thought I've had, but if we see a flashback of Christian's death somewhere in the sixth season, you'll have to give me some sort of credit for calling it.

Finally, Jack makes it out of the jungle and back to the beach and delivers his famous "live together, die alone" speech. Moving? Meh, maybe. But we see Jack reclaim his title of leader.

And so another episode is in the books. If this post seemed at all convoluted, I apologize. I'm a bit tired and I'm trying to get it out so I don't fall behind in the Rewatch. Tomorrow, we'll be onto the next one. And if we keep going at this pace, then January 2010 will be here before we know it. God willing.

Thanks for reading!

Sea. 1, Ep. 4: Walkabout

“Walt…do you wanna know a secret?”

This was the question John Locke gravely asked Walt in the second half of the pilot episode. In classic Lost fashion, the secret wasn’t immediately revealed. But fortunately for the audience, we only had to wait until two episodes later to find out what it was. “Walkabout” answers that question and gives us the first taste of Locke’s depressing and traumatic life before he crashed on the island. Beyond that, the fourth episode is supremely intriguing because it presents one of the first big mysteries about the island: how did John Locke regain the ability to walk? Looking back, I mark this episode and the one that follows it (“White Rabbit”) as the two installments that got me hooked on the saga. But I shouldn’t get ahead of myself. Let’s recap “Walkabout” first.

When first viewing “Walkabout,” it’s easy to focus solely on the dramatic revelation at the end of the episode in which the viewer learns that Locke had been paralyzed. We have no knowledge of this information during the flashbacks, so the twist at the end is quite cool (well, I remember that I enjoyed it, at least). But reviewing the episode and knowing Locke’s secret allows for a much better analysis of some other things that happen in this multi-layered chapter of the series. I didn’t remember it this way, but “Walkabout” is rich with parallels between the two ostensible leaders among the survivors: Locke and Jack. Let’s talk about that.

Locke, who up until this point had been portrayed as somewhat of an enigma and shown sparingly, features prominently in the beginning of the episode as he proposes to lead a boar hunt. By this time, the survivors had run out of food (with Hurley and Sawyer wrestling over the last bag of peanuts) and needed to address the problem. So here we get our first good glimpse at Locke, and he shows himself to be some sort of a leader. He speaks as though he has years and years of hunting experience, and he has an arsenal of knives to help convince everyone else. Even though his hunting team endures a bit of nasty business (the gash on Michael’s leg), Locke emerges from the jungle at the end of the episode dragging a slain boar. Score one for John.

Running alongside this on-island storyline is Jack’s day back at the beach. Jack makes an executive decision to burn the remnants of Oceanic 815 and the bodies inside so that any passing aircraft or ships will see the huge blaze and come rescue everyone from the island. In light of this and the other decisions he’s made since the crash, it appears that the others have recognized Dr. Shephard’s leadership abilities, and several of them approach him seeking help with their problems. Claire wants him to honor the dead at the gigantic funeral pyre. Boone wants him to talk to the lonely Rose to make sure that she’s doing okay. These constant requests become tedious for Jack and we see him transform into somewhat of a reluctant hero (although Rose later buoys his spirits by telling him that he has a nice, gentle way about him). Jack is most definitely a hero, but he is also not the perfect hero.

While it only begins to explore the complex characters of Jack and Locke, the episode solidly establishes the dichotomy of leadership on the island. What’s more is that the two opposing philosophies of each man—Locke’s faith versus Jack’s reason—are subtly introduced. The wheelchair-bound Locke tells his cocky boss that it’s his “destiny” to fly to Australia and go on the “walkabout.” He later exclaims this several times when he’s denied his spot on the walkabout because of his handicap. Conversely, I think Jack’s decision to torch the wreckage and the corpses contained within is an illustration of the coldly efficient surgeon at his best. He’s essentially arguing the case for reason: Screw the dead! We’ve gotta build a big-ass fire so we can save the rest of us! Once again, I’ll say that it’s great to see that the characters we’ve come to know and love (or hate) were written authentically from the beginning. To me, there’d be nothing worse than going back to review these early episodes and seeing something like Jack praying all the time or Locke not speaking like a hardcore fatalist. As always, the writers are to be commended!

The two other major points I want to touch upon in this episode deal further with Jack and Locke. But rather than issues of character development, they both involve two odd plot developments. First off, let’s go back to Locke’s hunt for the boar. He originally set out with Kate and Michael, but cut ties with them after the boar gored Michael and Kate escorted him back to the beach. Reflecting on his past and determined to not let others tell him what he “can’t do,” Locke continues on the boar’s trail. But before he traps and kills his prey, he has a run in with Smokey (at least I think it’s Smokey, and Lostpedia appears to confirm my suspicions). It’s difficult to say for certain, but there’s a violent rustling of the jungle growth that’s characteristic of the Smoke Monster before the camera zooms in on Locke, who appears to confront the entity. We see nothing more here, but after seeing what transpires in the fifth season this scene is sure to pique our curiosity. Interestingly, we don’t see Locke again until he emerges with the boar (a scene which I’ll address shortly), so we are left to speculate what went down between Locke and the Smoke Monster. Did Locke glimpse his future? Did Locke make contact with Mr. Loophole (that’s what I affectionately call Jacob’s adversary)? Did the powers-that-be on the island “choose” Locke during this scene? We can only speculate, but I wouldn’t be surprised if this scene-we-didn’t-see is alluded to somewhere during the sixth season. What do you think about the whole thing?

Now, to revisit the scene in which Jack and Kate meet Locke coming out of the jungle with his kill. Jack sees his father for an instant before he slowly walks into the jungle. Jack pursues him and Kate, of course, follows. The two hear rustling in the leaves and brace themselves for what they’re about to confront. But instead of Jack’s father, Locke comes out with dinner in tow. Isn’t it extremely interesting that Jack’s vision of his father led the two of them to Locke? Especially when we consider that the Smoke Monster most likely presents itself to the survivors as different deceased people from their pasts? I’m not sure if this can be proved conclusively, but it’s widely regarded that this is the case. Yemi’s appearance to Mr. Eko, Christian Shephard, and Alex’s appearance to Ben in the temple are just three that come to the surface of my brain. I’m sure there are others. Anyway, the last time we saw Locke, he was confronting the Smoke Monster. And here we presumably have Smokey leading Jack and Kate to Locke. As you can see, this is madness, and it further proves that the writers had their stuff together. Well, maybe not exactly, since they still haven’t explained everything. But here we are in the fourth episode and they were dropping these humongous mind puzzles on us. How fantastic! But in hindsight, these scenes definitely raise questions about of the Smoke Monster. Why does it confront Locke? What does it have to gain by posing as dead people and manipulating the survivors? I could go on and on, as I’m sure you all could. But I won’t.

I’ll let you chew on those details for a while. We’ve reached the end of the first week of the great re-watch and I’m lovin’ the series more than ever. Again, thanks for reading. I hope you’ll continue the journey with me. For those following, I’ll probably start posting on the new batch of re-watch episodes on either Monday or Tuesday. Either way, I hope you enjoy the re-watch and discuss it along with me!